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Teresa Posyniak

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Calgary-based artist specializing in painting and sculpture

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Teresa Posyniak

  • Teresa Posyniak
  • Current Work
  • Past Work
  • Bio
  • Social
  • Contact

Dancer Series

“Ballet Boogie”, 24”x 24”, oil and encaustic on linen, 2008
“Ballet Boogie”, 24”x 24”, oil and encaustic on linen, 2008
“Dance Me II”, nine 24”x 24”, canvases, oil and encaustic on linen, 2005
“Dance Me II”, nine 24”x 24”, canvases, oil and encaustic on linen, 2005
“Dance Me I”, nine 24”x 24”, canvases, oil and encaustic on linen, 2003
“Dance Me I”, nine 24”x 24”, canvases, oil and encaustic on linen, 2003
“Dance Moment II”, 24”x 24”, oil and encaustic on linen, 2005
“Dance Moment II”, 24”x 24”, oil and encaustic on linen, 2005
“Dancer with Boots on”, 60”x 48”, oil and encaustic on canvas, 2002
“Dancer with Boots on”, 60”x 48”, oil and encaustic on canvas, 2002
“Need to Dance”, 36”x 36”, oil, chalk pastel and encaustic on canvas, 2005
“Need to Dance”, 36”x 36”, oil, chalk pastel and encaustic on canvas, 2005
“She Dances I”, 22”x 36”, chalk pastel, charcoal and acrylic on paper, 2005
“She Dances I”, 22”x 36”, chalk pastel, charcoal and acrylic on paper, 2005
“Tutu I”, 16”x 14”, chalk pastel, oil, encaustic on paper, 2006
“Tutu I”, 16”x 14”, chalk pastel, oil, encaustic on paper, 2006
“Tutu I”, 16”x 14”, chalk pastel, oil, encaustic on paper, 2006
“Tutu I”, 16”x 14”, chalk pastel, oil, encaustic on paper, 2006

Lest We Forget

detail of Lest We Forget II.jpg
LEST WE FORGET - names, detail 1.jpg
Lest We Forget_ACAD.jpg
LEST WE FORGET - disappeared side.jpg
LEST WE FORGET - names, detail 2.jpg
detail of Lest We Forget III.jpg

Installations

Sanctuary I, 1983
Sanctuary I, 1983
Sanctuary I (detail), 1983
Sanctuary I (detail), 1983
Sanctuary I (detail), 1983
Sanctuary I (detail), 1983
Sanctuary I (detail), 1983
Sanctuary I (detail), 1983
Sanctuary II (detail), 1984
Sanctuary II (detail), 1984
Sanctuary II (detail), 1984
Sanctuary II (detail), 1984
Sanctuary II (detail), 1984
Sanctuary II (detail), 1984
A Cappella, 1984
A Cappella, 1984
Vows (detail), 1985
Vows (detail), 1985
Passages, Sanctuary III (detail), 1986
Passages, Sanctuary III (detail), 1986
Passages, Sanctuary III, 1986
Passages, Sanctuary III, 1986
Abyss (installation view), 1992, mixed media on paper, cast paper, cast concrete, 8 x 30 feet
Abyss (installation view), 1992, mixed media on paper, cast paper, cast concrete, 8 x 30 feet
Abyss (detail), 1992
Abyss (detail), 1992

Women & Bundles

“A Good Place to Hide”, 48”x 48”, oil and encaustic on linen, 2000
“A Good Place to Hide”, 48”x 48”, oil and encaustic on linen, 2000
“Pillow Talk I”, 24”x 24”, oil and encaustic on wood, 2004
“Pillow Talk I”, 24”x 24”, oil and encaustic on wood, 2004
“Dorothy Wrapped and Unwrapped”, 60”x 48”, 2000
“Dorothy Wrapped and Unwrapped”, 60”x 48”, 2000
“Held”, 24”x 24”, oil and encaustic on linen, 2010
“Held”, 24”x 24”, oil and encaustic on linen, 2010
“Pillow Talk II”, 24”x 24”, oil and encaustic on paper, 2004
“Pillow Talk II”, 24”x 24”, oil and encaustic on paper, 2004
“Red Mood IV”, 24”x 24”, oil and encaustic on linen, 2000
“Red Mood IV”, 24”x 24”, oil and encaustic on linen, 2000
“Safe Keeping”, 48”x 48”, oil and encaustic on linen, 2004
“Safe Keeping”, 48”x 48”, oil and encaustic on linen, 2004
“Stuff IV”, 26”x 20”, mixed media and encaustic on rice paper, 1998
“Stuff IV”, 26”x 20”, mixed media and encaustic on rice paper, 1998
“The Keeper”, 60”x 48”, oil and encaustic on canvas, 2004
“The Keeper”, 60”x 48”, oil and encaustic on canvas, 2004

Shelters & Pedestals

 “with a red teacup”, 36”x 36”, oil and encaustic on linen, 2003
“with a red teacup”, 36”x 36”, oil and encaustic on linen, 2003
“Furtivity”, 48”x 48”, oil and encaustic on linen, 2003
“Furtivity”, 48”x 48”, oil and encaustic on linen, 2003
“On the Edge”, 30”x 22”, oil and encaustic on paper, 2007
“On the Edge”, 30”x 22”, oil and encaustic on paper, 2007
“Recouping”, 30”x 44”, oil and encaustic on paper, 1999
“Recouping”, 30”x 44”, oil and encaustic on paper, 1999
“Relief I”, 26”x 20”, oil, chalk pastels and encaustic on paper, 2000
“Relief I”, 26”x 20”, oil, chalk pastels and encaustic on paper, 2000
“Relief II”, 26”x 20”, oil, chalk pastels and encaustic on paper, 2000
“Relief II”, 26”x 20”, oil, chalk pastels and encaustic on paper, 2000
“The Women’s Rooms”, 61”x 27”x 3 ½”, oil, chalk pastels and encaustic on wood, 2010
“The Women’s Rooms”, 61”x 27”x 3 ½”, oil, chalk pastels and encaustic on wood, 2010
“Therefore I am I”, 48”x 36”, oil and encaustic on linen, 2005
“Therefore I am I”, 48”x 36”, oil and encaustic on linen, 2005
“Therefore I am II”, 48”x 36”, oil and encaustic on linen, 2005
“Therefore I am II”, 48”x 36”, oil and encaustic on linen, 2005
“Time Out”, 48”x 60”, oil and encaustic on linen, 1999
“Time Out”, 48”x 60”, oil and encaustic on linen, 1999

Individuals

“Anne IV”, 10”x 8”, oil and encaustic on paper, 2009
“Anne IV”, 10”x 8”, oil and encaustic on paper, 2009
“Cass Alone with blankets”, 61”x 27”, oil and encaustic on linen, 2004
“Cass Alone with blankets”, 61”x 27”, oil and encaustic on linen, 2004
“I Speak My Daughter Tongue”, three 61”x 27” canvases, oil and encaustic on canvas, 2003. Collection of The Glenbow Museum.
“I Speak My Daughter Tongue”, three 61”x 27” canvases, oil and encaustic on canvas, 2003. Collection of The Glenbow Museum.

Text for each section by Susan Ouriou

Part I (Sue and Joel together): “I never knew being one of the chosen could hurt so much. Katie believed in the clouds. That from up on high we choose the people we love, the way we live, the time we die, Katie chose us.

Part II (Joel alone): “We form a family like never before. Our family – a puzzle to the outside world. A fill-in-the-blanks with no clues to the answers other than the ones in our heads and our hearts. How can we give up on each other when together we create who we are? Our inside world is one in which we bounce off each other, careen into the next, or sometimes, just sometimes, merge to form a whole”.

Part III (Sue alone): “I speak my daughter tongue” from, “A Capital Act” by Susan Ouriou published by Grain Magazine, Summer 2001 by The Saskatchewan Writers Guild.

“Kaia”, 16”x 16”, oil and encaustic on linen, 2008
“Kaia”, 16”x 16”, oil and encaustic on linen, 2008
“Nick”, 16”x 16”, oil and encaustic on linen, 2008
“Nick”, 16”x 16”, oil and encaustic on linen, 2008
“Linda”, 36”x 36”, oil and encaustic on linen, 2008
“Linda”, 36”x 36”, oil and encaustic on linen, 2008
“Nancy”, 48”x 48”, oil and encaustic on linen, 2007
“Nancy”, 48”x 48”, oil and encaustic on linen, 2007

Consensus

“Adun in Linda’s Tipi”, 48”x 24”, oil and mixed media, encaustic on linen, 2008
“Adun in Linda’s Tipi”, 48”x 24”, oil and mixed media, encaustic on linen, 2008
“The Adaptable Black Hat”, 48”x 48”, oil, mixed media and encaustic on linen, 2007
“The Adaptable Black Hat”, 48”x 48”, oil, mixed media and encaustic on linen, 2007

“This hat recalls the time when our ceremonies were banned in Alberta. Our people maintained their culture by using these black unpressed hats to show that we were headdress owners. The government could not arrest us for wearing these hats but they did arrest us for wearing our headdresses. The black hat represents adaptability.” – Linda Many Guns (Blackfoot elder)

“The Ceremony”, 60”x 48”, oil, mixed media and encaustic on linen, 2007
“The Ceremony”, 60”x 48”, oil, mixed media and encaustic on linen, 2007

“Animals are our relations. The ceremonies remind us of the contracts the animals made so long ago to come and help us when we need them. We are deeply grateful to them.” – Linda Many Guns (Blackfoot elder)

“The Transfer”, 31”x 21”, oil, mixed media and encaustic on paper, 2007
“The Transfer”, 31”x 21”, oil, mixed media and encaustic on paper, 2007

“New clothes and a new blanket are badges that show you are living a new life.” – Linda Many Guns (Blackfoot elder)

“Prairie Home”, 15”x 43”, oil, mixed media and encaustic on paper, 2007
“Prairie Home”, 15”x 43”, oil, mixed media and encaustic on paper, 2007

“My Tipi is medicine. It is strong.” – Linda Many Guns (Blackfoot elder)

“Trade Cloth Dress”, 31”x 21”, oil, mixed media and encaustic on paper, 2006
“Trade Cloth Dress”, 31”x 21”, oil, mixed media and encaustic on paper, 2006

“Blue and red trade cloth form traditional designs. The style is unique in its practical simplicity.” – Linda Many Guns (Blackfoot elder)

“Adun Mary First Rider in Blanket and Land”, 48”x 36”, oil and mixed media on linen, 2009
“Adun Mary First Rider in Blanket and Land”, 48”x 36”, oil and mixed media on linen, 2009

“The power of the Sacred lands connects the people, protects all and holds the souls of ancestors”. – Linda Many Guns (Blackfoot elder)

“Adun Mary First Rider”, 24”x 24”, oil and mixed media, encaustic on linen, 2007.
“Adun Mary First Rider”, 24”x 24”, oil and mixed media, encaustic on linen, 2007.

“Adun has been involved with many types of ceremonies her whole life. She is by guide for Motokik knowledge (Buffalo Women’s Society). She has taken me under her wing tohelp me stay on track. She teaches me the Society rules. She is a wise teacher”. – Linda Many Guns (Blackfoot elder)

“Adun, Land and Sky”, 24”x 36”, oil and mixed media, encaustic on linen, 2008
“Adun, Land and Sky”, 24”x 36”, oil and mixed media, encaustic on linen, 2008
“Adun’s studio visit”, 30”x22”, oil, mixed media and encaustic on paper, 2008
“Adun’s studio visit”, 30”x22”, oil, mixed media and encaustic on paper, 2008

“After a year of working with Linda Many Guns, I had created about 22 paintings and works on paper. I agreed that the elders portrayed in my works could visit my studio and give me permission or not to exhibit the works. Adun was there, dressed in blue, and speaking only in Blackfoot. We ate cakes and drank tea all afternoon. When the five elders got up to leave, they gave me their approval to release the works to the public. Otherwise, I would have put them aside, likely permanently. This was the arrangement between Linda and I, that everything would be done with consultation and respect, that not one item or pattern or pose in the paintings would be done without express permission.” – Teresa Posyniak

“Amber is how I remember”, 48”x 48”, oil, mixed media and encaustic on linen, 2006
“Amber is how I remember”, 48”x 48”, oil, mixed media and encaustic on linen, 2006

“I often dream of my time as a tree. I remember the awareness of life outside my tree space. Time is different, in some ways slower or more of a dense sense of happenings. Time as a tree feels like a state of continuous becoming. I remember well being awakened by the warmth of the sun of my bark and I love to recollect the surge of spring as my sap began to move and how the wind moved my branches. Amber is how I remember the outside world.” – Linda Many Guns (Blackfoot elder)

“Beverly Hungry Wolf Looking Out”, 48”x 36”, oil, mixed media and encaustic on linen, 2008
“Beverly Hungry Wolf Looking Out”, 48”x 36”, oil, mixed media and encaustic on linen, 2008

“Blackfoot people are known by the Blanket they wear and often these have been passed down from one holy person to another holy and they are blessed and sacred possessions.” – Linda Many Guns (Blackfoot elder)

“Beverly Hungry Wolf”, 24”x 24”, oil, mixed media and encaustic on linen, 2008
“Beverly Hungry Wolf”, 24”x 24”, oil, mixed media and encaustic on linen, 2008

“Beverly Hungry Wolf is my holy mother. She has Beaver women medicine and has owned a medicine pipe for most of the adult life. She lives traditionally and raised her children and her grandchildren to be traditional. Her faith and understanding in the culture will always guide me.” – Linda Many Guns (Blackfoot elder)

“In Ceremony with Otter”, 48”x 60”, oil, mixed media and encaustic on canvas, 2010
“In Ceremony with Otter”, 48”x 60”, oil, mixed media and encaustic on canvas, 2010

“The Long Time Otter gave one of his children to us to remember our relationship.” – Linda Many Guns (Blackfoot elder)

“Jumping Buffalo”, 48”x 48”, oil, mixed media and encaustic on canvas, 2007
“Jumping Buffalo”, 48”x 48”, oil, mixed media and encaustic on canvas, 2007

“The tipi design was brought to life from the dream world. In the dream, I was taken to an untouched, open, rolling prairie. Blackfoot Holy People authenticated the dream and gave me directions to create the tipi. The Yellow Buffalo Tipi protects my home and family.” – Linda Many Guns (Blackfoot elder)

“Linda Many Guns and Otter”, 36”x 24”, oil, mixed media and encaustic on linen, 2007
“Linda Many Guns and Otter”, 36”x 24”, oil, mixed media and encaustic on linen, 2007

“Otter is playful, tireless and connected to water. Otter is life and energy, strength and power – he is strong medicine. Here where Otter is, there is power. Otter is a leader and he is sacred. It is an honor to be holding Otter. To pray and hold the skin of one of the Long Time Otter’s children is to be as close to the Creator as you can be. The fur is thick and black as night.” – Linda Many Guns (Blackfoot elder)

“Linda Many Guns in Humble Dress and Blanket”, 48”x 24”, oil, mixed media and encaustic on linen, 2007
“Linda Many Guns in Humble Dress and Blanket”, 48”x 24”, oil, mixed media and encaustic on linen, 2007

“This Hudson’s Bay blanket is a gift from my holy husband. Blankets provide protection and often because they are worn in ceremony they have red ochre paint smudges. We sit on blankets in holy places.” – Linda Many Guns (Blackfoot elder)

Comfort Takers

Teresa_Posyniak_Comfort Sweater I_web.jpg
Teresa_Posyniak_In the golden glow_web.jpg
Teresa_Posyniak_Insomnia_web.jpg
“Neighbourhood Watch”, 60”x 84”, oil, chalk pastels and encaustic on canvas, 2002
“Neighbourhood Watch”, 60”x 84”, oil, chalk pastels and encaustic on canvas, 2002
“Pondering”, 30”x 22, charcoal and acrylic on paper, 1996
“Pondering”, 30”x 22, charcoal and acrylic on paper, 1996
“Red Mood Quartet”, four 24”x 24” canvases, oil and encaustic on linen, 2000
“Red Mood Quartet”, four 24”x 24” canvases, oil and encaustic on linen, 2000
“Red Roses too....”, 48”x 48”, oil and encaustic on linen, 2006
“Red Roses too....”, 48”x 48”, oil and encaustic on linen, 2006
“Shielded from the noise”, 30”x 44”, oil and encaustic on linen, 2008
“Shielded from the noise”, 30”x 44”, oil and encaustic on linen, 2008
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“Solitude”, 40”x 30”, oil, charcoal and encaustic on linen, 2002
“Solitude”, 40”x 30”, oil, charcoal and encaustic on linen, 2002
“The Weight of Flowers I”, 60”x 48”, oil, chalk pastels and encaustic on canvas, 2005
“The Weight of Flowers I”, 60”x 48”, oil, chalk pastels and encaustic on canvas, 2005
“The Weight of Flowers II”, 60”x 48”, oil, chalk pastels and encaustic on canvas, 2005
“The Weight of Flowers II”, 60”x 48”, oil, chalk pastels and encaustic on canvas, 2005
 “When All is Lost”, 12”x 9”, oil and encaustic on wood, 2009
“When All is Lost”, 12”x 9”, oil and encaustic on wood, 2009
“Woman on the Edge”, 48”x 36”, oil and encaustic on canvas, 2001
“Woman on the Edge”, 48”x 36”, oil and encaustic on canvas, 2001
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Back to Past Artworks - Index
“Ballet Boogie”, 24”x 24”, oil and encaustic on linen, 2008
9
Dancer Series
6
Lest We Forget
Sanctuary I, 1983
13
Installations
“A Good Place to Hide”, 48”x 48”, oil and encaustic on linen, 2000
9
Women & Bundles
 “with a red teacup”, 36”x 36”, oil and encaustic on linen, 2003
10
Shelters & Pedestals
“Anne IV”, 10”x 8”, oil and encaustic on paper, 2009
7
Individuals
“Adun in Linda’s Tipi”, 48”x 24”, oil and mixed media, encaustic on linen, 2008
17
Consensus
14
Comfort Takers